Everything you should know about Robert Gorl

Robert Gorl

Everything starts with something finishing, yet not for eternity. Toward the beginning of the 1980s, Robert Gorl and Gabi Delgado appreciated colossal accomplishment as the pair Deutsch Amerikanische Freundschaft, until they split up in 1982 after a debate. In 1986, after a fleeting endeavor at a get-together, they separated once more, and this time for an altogether longer timeframe.

Gorl says times were truly challenging for himself. He was profoundly baffled in his melodic accomplice and companion; while chipping away at the LP first Step to Heaven, they had such a significant run in that he lost all interest in them making music.

Life story

1. Robert began his life in a shelter. At 18 years old, Görl got drum examples from the jazz artist Freddie Brocksieper.
2. In 1974 he began a traditional music schooling at the Leopold Mozart Conservatory in Augsburg and 1976 at the University of Graz, likewise dedicating himself to jazz. In 1978, he interfered with his investigations, went to London, and became intrigued by underground rock.
3. Around the same time, he met Gabriel “Gabi” Delgado-López in Düsseldorf and framed DAF. Görl additionally played in different groups like Der Plan. He recorded seven collections with DAF from 1979 – 2003.
4. In 1982 DAF got the “Deutscher Schallplatten Preis” (German Music Award) for their collection Alles ist Gut. The primary DAF break was in 1983 at their melodic peak.
5. Görl additionally played drums on the 1981 Eurythmics collection In the Garden. DAF improved in 1985 to record the first Step to Heaven (Dean/Ariola Rec). In 1989, he experienced an actual auto collision, turned into a Buddhist, and spent a considerable amount of time concentrating in Asia.
6. After returning, he recorded a few collections and singles on the Munich techno name Disko B. DAF improved again in 2000 and recorded Fünfzehn Neue D.A.F-Lieder (15 New D.A.F-Songs) in mid-2003. They split again in 2005.
7. In 2008, they improved for their 30th-commemoration visit, 30 Jahre DAF (Der 30-jährige Krieg, “the thirty years war), and recorded the single “Du bist DAF” (“You are DAF”) in 2010.

Albums

• Görl Albums with DAF 1979 – 2021
• “Produkt der Deutsch Amerikanischen Freundschaft” (Ata Tak)
• “Alles ist stomach” (Virgin Rec)
• “Gold und Liebe” (Virgin Rec)
• “Für Immer” (Virgin Rec)
• “Initial Step to Heaven” (Dean/Ariola Rec)
• “15 neue DAF Lieder” (Superstar Rec)
• “Nur Noch Einer” (Grönland Rec)

Robert solo collections

• Night Full of Tension (LP, Mute STUMM-16, 1984)

1. Recess/I Love Me/Charlie Cat/Gewinnen Wir Die Beste Der Frauen //Queen King/Love In Mind /Darling Don’t Leave Me/Wind In Hair
2. 1993 CD reward tracks: Mit Dir (Extended)/Berührt Verführt (Remix)/Darling Don’t Leave Me (Extended)/An Ist Wieder Da /Eckhardt’s Party

 

• Watch the Great Copycat (CD, Disko B DB-52-CD, 1996)

1. Insekter/Ali Baba/Wabe /Rund /Dämonika/Rubber Ritual (/Yip Yep/Have A Bath/Bumba (A Buddha)/Loop It Baby cht Lollyzopf/End Of A Trip Watch the Great Copycat.

 

• Sexdrops (CD/2×LP, Disko DB-68, 1998)

1. Dominatrix Supreme (5:20)/Pet Teaser (5:03)//Scoops (4:43)/Deep Intruder (5:13)///Do It – Let’s Boogee (5:19)/Triple Dripping (3:58)//Blue Sex Drops (4:58)/Spanish Bull (5:31)/Call A Loony (1:31)

 

• Last Metal Pralinées (CD/2×LP, Disko DB-90, 2000)

1. Another Hour /Artificial Water/Rave Plastik //Dizzy Loophead /Las Vegas Cowboy /Bass Spieler /KDB /War Dämon/Drum Putzen //Basket /Exotika /Last Korg Exit.
2. keep going track on LP “Circle It Baby III” is a locked groove

• Customer Featuring Robert: Live In Porto (CD, Client self-discharge, 10 November 2006)

1. It’s Rock And Roll /In It For The Money /Tuesday Night /Down To The Underground /Price Of Love /Pills /Client /Overdrive /Radio (/Here And Now /Pornography /Rock And Roll Machine /Diary Of A 18-Year-Old Boy.
2. Zerox Machine /Der Mussolini Dim Tool Symphony (CD, Prussia PRSA-5001, 2007) Aufmarsch /Liebesschwur /Erster Dunkler Kontakt /Red Groove /Vereinigung /Zweite Sonne  incorporates video track “Dull Tool Symphony”

 

History of Robert

• Thus he chose to take a shot at a genuinely new thing and went to New York to concentrate on acting at the prestigious Stella Adler Studio of Acting.
• He practiced Shakespeare and different works of art for a semester and might have maybe dispatched a phase vocation; be that as it may, in the wake of getting back from a short excursion home, he was confined and cross-examined upon appearance in New York.
• The movement official asked him what he was doing in the city, he answered that he was concentrating on acting – “That is fascinating,” the official said. After four days, Görl got a warning via the post office expressing that he had disregarded migration laws since he was seeking a course of study in the United States with just a vacationer visa.
• He, accordingly, needed to leave the nation promptly and would not be permitted to enter the United States for the following ten years.
• Not exclusively did he now presently don’t have a band; he could likewise, at this point, not study or stay in the city that he had quite recently figured out how to cherish. That, nonetheless, was just the start of his concerns. He was kept at the air terminal when he flew back to Germany.
• He was told the German military – the Bundeswehr – had been looking for him for a long while because he had evaded his required military help; he was not permitted to leave the nation and needed to answer to the military inside a couple of days, or military police would capture him.
• He thoroughly considered it a couple of days then, at that point, pressed his couple of possessions in a bag, put his newly bought synthesizer under his arm, and got on a night train from Munich to Paris; restless, his heart hustling, he anticipated line control. However, they didn’t make way for his compartment.
• The following morning he remained at Gare de l’Est and set off to track down modest housing. He, at last, tracked down a spot in Levallois-Perret, a northwestern suburb of Paris.

End

A tape of the incomplete melodies from Paris, the sensational, clear, once in a while poisonously sibilant, yet in every case delicately created tracks that Gorl recorded during his most significant life emergency turned up years after the fact in a bag he had stored in his sibling’s animal dwelling place.

They stay melodic portrayals; he says he never felt the craving to make a genuine collection out of them. They are outlines, yet, in them, a whole-time addresses us, as does a day-to-day existence at a defining moment; and the light that gleams over the dim establishments of the poisonous beats guides us into what’s to come: everything closes with something starting.